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The American musical and the performance of personal identity / Raymond Knapp.
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TextPublication details: Princeton, N.J. : Princeton University Press, 2006.Description: 470 p. : illISBN: - 0691125244
- 9780691125244
- ML2054 K67 A 2006
English Books
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English Books
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MATRIX Library General Eng/FL.3 | General Books | ML2054 K67 A 2006 (Browse shelf(Opens below)) | C.1 | Available | 1000363251 |
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| ML1727 D57 2012 (Dis)embodying myths in Ancien Régime opera : | multidisciplinary perspectives / | ML1729 W286 G 2001 German opera : | from the beginnings to Wagner / | ML1733 F312 O 2007 Opera and sovereignty : | transforming myths in eighteenth-century Italy / | ML2054 K67 A 2006 The American musical and the performance of personal identity / | ML2054 M478 M 2006 The musical as drama : | a study of the principles and conventions behind musical shows from Kern to Sondheim / | ML2054 S839 M 2006 The megamusical / | ML2075 B725 B 2008 Behind the curtain : | making music in Mumbai's film studios / |
Personal genres. The Viennese connection : Franz Lehár and American operetta (The merry widow (1907). Naughty Marietta (1910). Little Mary Sunshine (1959). A little night music (1973)) -- The movie musical (Singin' in the rain (film, 1952). Stormy weather (film, 1943) and Bamboozled (film, 2000). Meet me in St. Louis (film, 1944). Moulin Rouge (film, 2001) and Chicago (film, 2002)).
HKBU Library
Epilogue. Operatic ambitions and beyond (Candide (1956). Sweeney Todd (1979). Evita (1979)).
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