Wild/lives : trickster, place and liminality on screen / Terrie Waddell.
Material type:
TextPublication details: London ; New York : Routledge, 2010.Description: 186 p. : illISBN: - 9780415420433
- Trickster, place and liminality on screen
- PN1995.9 W116 W 2010
English Books
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English Books
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MATRIX Library General Eng/FL.3 | General Books | PN1995.9 W116 W 2010 (Browse shelf(Opens below)) | C.1 | Available | 1000363036 |
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| PN1995.9 S625 I 2006 Into the vortex : | female voice and paradox in film / | PN1995.9 S667 R 2006 Reconstructing American historical cinema : | from Cimarron to Citizen Kane / | PN1995.9 S785 M 2011 Maximum movies, pulp fictions : | film culture and the worlds of Samuel Fuller, Mickey Spillane, and Jim Thompson / | PN1995.9 W116 W 2010 Wild/lives : | trickster, place and liminality on screen / | PN1995.9 W133 B 2015 Berlin replayed : | cinema and urban nostalgia in the postwall era / | PN1995.9 W424 V 2012 The vampire film : | undead cinema / | PN1995.9 W576 P 2008 Picturing American modernity : | traffic, technology, and the silent cinema / |
HKBU Library
"Wild/Lives draws on myth, popular culture and analytical psychology to trace the machinations of 'trickster' in contemporary film and television. This archetypal energy traditionally gravitates toward liminal spaces - physical locations and shifting states of mind. By focusing on productions set in remote or isolated spaces, Terrie Waddell explores how key trickster-infused sites of transition reflect the psychological fragility of their willing and unwilling occupants. In differing ways, the selected texts - Deadwood, Grizzly Man, Lost, Solaris, The Biggest Loser, Amores Perros and Repulsion - all play with inner and outer marginality." "As this study demonstrates, the dramatic potential of transition is not always geared toward resolution. Prolonging the anxiety of change is an increasingly popular option. Trickster moves within this wildness and instability to agitate a form of dialogue between conscious and unconscious processes."--Jacket.
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