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Divided dreamworlds? : the cultural Cold War in East and West / edited by Peter Romijn, Giles Scott-Smith, Joes Segal.

Contributor(s): Material type: TextSeries: Publication details: Amsterdam : Amsterdam University Press 2012.Description: 238 p. : illISBN:
  • 9789089644367
  • 9089644369
Subject(s): LOC classification:
  • D840 D618 2012
Contents:
HKBU library
With its unique focus on how culture contributed to the blurring of ideological boundaries between the East and the West, this important volume offers fascinating insights into the tensions, rivalries and occasional cooperation between the two blocs. Encompassing developments in both the arts and sciences, the authors analyze focal points, aesthetic preferences and cultural phenomena through topics as wide-ranging as the East- and West German interior design; the Soviet stance on genetics; US cultural diplomacy during and after the Cold War; and the role of popular music as a universal cultural ambassador. Well positioned at the cutting edge of Cold War studies, this important work illuminates some of the striking paradoxes involved in the production and reception of culture in East and West.
Item type: English Books
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Holdings
Cover image Item type Current library Home library Collection Shelving location Call number Materials specified Vol info URL Copy number Status Notes Date due Barcode Item holds Item hold queue priority Course reserves
English Books MATRIX Library General Eng/FL.3 General Books D840 D618 2012 (Browse shelf(Opens below)) C.1 Available 1000371119
Total holds: 0

"This present volume is the result of a conference held in Utrecht on 26-27 September 2008"--Preface.

HKBU library

YT2025 M09

With its unique focus on how culture contributed to the blurring of ideological boundaries between the East and the West, this important volume offers fascinating insights into the tensions, rivalries and occasional cooperation between the two blocs. Encompassing developments in both the arts and sciences, the authors analyze focal points, aesthetic preferences and cultural phenomena through topics as wide-ranging as the East- and West German interior design; the Soviet stance on genetics; US cultural diplomacy during and after the Cold War; and the role of popular music as a universal cultural ambassador. Well positioned at the cutting edge of Cold War studies, this important work illuminates some of the striking paradoxes involved in the production and reception of culture in East and West.

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