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Queer males in contemporary cinema : becoming visible / Kylo-Patrick R. Hart.

By: Material type: TextPublication details: Maryland : Scarecrow Press, Incorporated, 2013.Description: 183 pISBN:
  • 9780810891173
  • 9780810891180
Subject(s): LOC classification:
  • PN1995 H325 Q 2013
Contents:
The love between Warden and Prew that dare not speak its name: containing homosexuality as subtext in From Here to Eternity -- Gay male spectatorship, textual flexibility, and mainstream American cinema -- "Out of the closets and into the shadows": cruising with the boys in the band -- Queering the teen movie: exploring groundbreaking representations of nonheterosexual adolescents in Gregg Araki's teen-apocalypse trilogy -- Gay men, self-representation, and AIDS documentaries -- When style becomes substance: the form and function of a rap aesthetic in the AIDS movie chocolate babies -- Increasing visi(bi)lity: bisexual men in contemporary U.S. cinema -- Transamerican cinema: representing gender dysphoria on film -- Retrograde storytelling or queer cinematic triumph? the (not so) groundbreaking qualities of the film Brokeback Mountain -- Back to the future: queer representations and the films of John Cameron Mitchell.
HKBU library
Item type: English Books
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Holdings
Cover image Item type Current library Home library Collection Shelving location Call number Materials specified Vol info URL Copy number Status Notes Date due Barcode Item holds Item hold queue priority Course reserves
English Books MATRIX Library General Eng/FL.3 General Books PN1995 H325 Q 2013 (Browse shelf(Opens below)) C.1 Available 1000361276
Total holds: 0

The love between Warden and Prew that dare not speak its name: containing homosexuality as subtext in From Here to Eternity -- Gay male spectatorship, textual flexibility, and mainstream American cinema -- "Out of the closets and into the shadows": cruising with the boys in the band -- Queering the teen movie: exploring groundbreaking representations of nonheterosexual adolescents in Gregg Araki's teen-apocalypse trilogy -- Gay men, self-representation, and AIDS documentaries -- When style becomes substance: the form and function of a rap aesthetic in the AIDS movie chocolate babies -- Increasing visi(bi)lity: bisexual men in contemporary U.S. cinema -- Transamerican cinema: representing gender dysphoria on film -- Retrograde storytelling or queer cinematic triumph? the (not so) groundbreaking qualities of the film Brokeback Mountain -- Back to the future: queer representations and the films of John Cameron Mitchell.

HKBU library

YT2025 M09

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