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Whose lives are they anyway? : the biopic as contemporary film genre / Dennis Bingham.

By: Material type: TextPublication details: New Brunswick, N.J. : Rutgers University Press, 2010.Description: 432 p. : illISBN:
  • 9780813546582
Subject(s): LOC classification:
  • PN1995 B613 W 2010
Contents:
Introduction: a respectable genre of very low repute -- Book one: the great (White) man biopic and its discontents. Strachey's way, or all's well that ends Welles -- Rembrandt (1936) -- Citizen Kane and the biopic -- Lawrence of Arabia: "but does he really deserve a place in here?" -- Nixon, Oliver Stone, and the unmaking of the self-made man -- P.S.: W. -- Thirty two short films about Glenn Gould: ghost picture: -- Ed Wood: the biopic of someone undeserving -- Spike Lee's Malcolm X: appropriation or assimilation? -- Raoul Peck's Lumumba: drama, documentary, and the postcolonial appropriation -- Book two: a woman's life is never done: female biopics. Prologue -- Superstar: The Karen Carpenter story: toying with the genre -- I want to live!: criminal woman, male discourses -- Barbra and Julie at the dawning of the Age of Aquarius -- Funny girl -- Star! -- Hacked: Gorillas in the mist and other female biopics in the 1980s -- An angel at my table: re-framing the female biography -- Erin Brockovich: Hollywood feminist revisionism, after a fashion -- Twenty-first-century women -- The notorious Bettie Page: free will, and God's will -- Marie Antoinette: the female biopic gets the guillotine -- I'm not there: some conclusions on a book concerning biopics.
HKBU library
Item type: English Books
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Cover image Item type Current library Home library Collection Shelving location Call number Materials specified Vol info URL Copy number Status Notes Date due Barcode Item holds Item hold queue priority Course reserves
English Books MATRIX Library General Eng/FL.3 General Books PN1995 B613 W 2010 (Browse shelf(Opens below)) C.1 Available 1000370534
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Introduction: a respectable genre of very low repute -- Book one: the great (White) man biopic and its discontents. Strachey's way, or all's well that ends Welles -- Rembrandt (1936) -- Citizen Kane and the biopic -- Lawrence of Arabia: "but does he really deserve a place in here?" -- Nixon, Oliver Stone, and the unmaking of the self-made man -- P.S.: W. -- Thirty two short films about Glenn Gould: ghost picture: -- Ed Wood: the biopic of someone undeserving -- Spike Lee's Malcolm X: appropriation or assimilation? -- Raoul Peck's Lumumba: drama, documentary, and the postcolonial appropriation -- Book two: a woman's life is never done: female biopics. Prologue -- Superstar: The Karen Carpenter story: toying with the genre -- I want to live!: criminal woman, male discourses -- Barbra and Julie at the dawning of the Age of Aquarius -- Funny girl -- Star! -- Hacked: Gorillas in the mist and other female biopics in the 1980s -- An angel at my table: re-framing the female biography -- Erin Brockovich: Hollywood feminist revisionism, after a fashion -- Twenty-first-century women -- The notorious Bettie Page: free will, and God's will -- Marie Antoinette: the female biopic gets the guillotine -- I'm not there: some conclusions on a book concerning biopics.

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YT2025 M08

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