AI Search
Dramma Giocoso : four contemporary perspectives on the Mozart/Da Ponte operas / Julian Rushton [and others].
Material type:
TextSeries: Publication details: [Leuven] : Leuven University Press, 2012.Description: 143 p. : illISBN: - 9789058678454
- 9058678458
- ML410 D756 2012
English Books
| Cover image | Item type | Current library | Home library | Collection | Shelving location | Call number | Materials specified | Vol info | URL | Copy number | Status | Notes | Date due | Barcode | Item holds | Item hold queue priority | Course reserves | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
|
English Books
|
MATRIX Library General Eng/FL.3 | General Books | ML410 D756 2012 (Browse shelf(Opens below)) | C.1 | Available | 1000362938 |
Browsing MATRIX Library shelves,Shelving location: General Eng/FL.3,Collection: General Books Close shelf browser (Hides shelf browser)
|
|
|
|
|
|
|
||
| ML410 B212 R 2011 Representing black music culture : | then, now, and when again? / | ML410 B789 B 2000 Bach / | ML410 C678 W 2012 Woody Guthrie : | writing America's songs / | ML410 D756 2012 Dramma Giocoso : | four contemporary perspectives on the Mozart/Da Ponte operas / | ML410 E21 C 2007 Charles Valentin Alkan : | his life and his music / | ML410 E26 2007 Edward Elgar and his world / | ML410 F394 S 2000 Schumann's Eichendorff Liederkreis and the genre of the romantic cycle / |
'By their arias shall ye know them' : characterization in aria-based opera / Julian Rushton -- Don Ottavio and the history of the tenor voice / Stefan Rohringer -- Don Giovanni then and now : text and performance / Sergio Durante -- The Act IV finale of Le nozze di Figaro : dramatic and musical construction / James Webster.
HKBU library
YT2025 M09
In exploring the evergreen qualities of Don Giovanni and Le Nozze di Figaro, this collection of studies does not shun approaches that have foundations in established theory, but refracts them through such problems as the tension between operatic tradition and psychological realism, the co-existence of multiple yet equal plots, and the antagonism between the tenets of tradition and the need for self-actualization. In exploring such themes, the authors not only illuminate new aspects of Mozart's operatic compositions, but also probe the nature of musical analysis itself.
There are no comments on this title.