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Think, pig! : Beckett at the limit of the human / Jean-Michel Rabaté.

By: Material type: TextPublication details: New York : Fordham University Press, 2016Edition: 1st edDescription: 240 pISBN:
  • 9780823270859
  • 9780823270866
Subject(s): LOC classification:
  • PR6003 R112 T 2016
Contents:
HKBU Library
Summary: "This book examines Samuel Beckett's unique lesson in courage in the wake of humanism's postwar crisis--the courage to go on living even after experiencing life as a series of catastrophes. Rabaté, a former president of the Samuel Beckett Society and a leading scholar of modernism, explores the whole range of Beckett's plays, novels, and essays. He places Beckett in a vital philosophical conversation that runs from Bataille to Adorno, from Kant and Sade to Badiou. At the same time, he stresses Beckett's inimitable sense of metaphysical comedy. Foregrounding Beckett's decision to write in French, Rabaté inscribes him in a continental context marked by a "writing degree zero" while showing the prescience and ethical import of Beckett's tendency to subvert the "human" through the theme of the animal. Beckett's "declaration of inhuman rights," he argues, offers the funniest mode of expression available to us today"--
Item type: English Books
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Holdings
Cover image Item type Current library Home library Collection Shelving location Call number Materials specified Vol info URL Copy number Status Notes Date due Barcode Item holds Item hold queue priority Course reserves
English Books MATRIX Library General Eng/FL.3 General Books PR6003 R112 T 2016 (Browse shelf(Opens below)) C.1 Available 1000374345
Total holds: 0

HKBU Library

"This book examines Samuel Beckett's unique lesson in courage in the wake of humanism's postwar crisis--the courage to go on living even after experiencing life as a series of catastrophes. Rabaté, a former president of the Samuel Beckett Society and a leading scholar of modernism, explores the whole range of Beckett's plays, novels, and essays. He places Beckett in a vital philosophical conversation that runs from Bataille to Adorno, from Kant and Sade to Badiou. At the same time, he stresses Beckett's inimitable sense of metaphysical comedy. Foregrounding Beckett's decision to write in French, Rabaté inscribes him in a continental context marked by a "writing degree zero" while showing the prescience and ethical import of Beckett's tendency to subvert the "human" through the theme of the animal. Beckett's "declaration of inhuman rights," he argues, offers the funniest mode of expression available to us today"--

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