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  <titleInfo>
    <title>Ethno-techno</title>
    <subTitle>writings on performance, activism, and pedagogy</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Gómez-Peña, Guillermo</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
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  <name type="personal">
    <namePart>Peña, Elaine.</namePart>
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  <typeOfResource>text</typeOfResource>
  <genre authority="marc">bibliography</genre>
  <originInfo>
    <place>
      <placeTerm type="code" authority="marccountry">nyu</placeTerm>
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    <place>
      <placeTerm type="text">New York</placeTerm>
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    <publisher>Routledge, Taylor &amp; Francis Group</publisher>
    <dateIssued>2005</dateIssued>
    <issuance>monographic</issuance>
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  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
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  <physicalDescription>
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    <extent>304 p.</extent>
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  <tableOfContents>Introductory essays and chronicles -- Pedagogy: a useful guide to the Pocha method -- Performance radio -- Performance literature: for the stage and cyberspace -- Conversations with theorists.</tableOfContents>
  <tableOfContents>HKBU library</tableOfContents>
  <note type="statement of responsibility">Guillermo Gómez-Pea ; edited by Elaine Pea.</note>
  <note type="venue">YT225 M08</note>
  <subject authority="lcsh">
    <name type="personal">
      <namePart>Gómez-Peña, Guillermo</namePart>
    </name>
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  <subject authority="">
    <name type="personal">
      <namePart>Gómez-Peña, Guillermo</namePart>
    </name>
  </subject>
  <subject authority="lcsh">
    <topic>Performance art</topic>
    <geographic>United States</geographic>
    <temporal>20th century</temporal>
  </subject>
  <subject authority="lcsh">
    <topic>Mexican American art</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Politics in art</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Minorities in art</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Art and race</topic>
  </subject>
  <subject authority="">
    <topic>Art and race</topic>
  </subject>
  <subject authority="">
    <topic>Mexican American art</topic>
  </subject>
  <subject authority="">
    <topic>Minorities in art</topic>
  </subject>
  <subject authority="">
    <topic>Performance art</topic>
  </subject>
  <subject authority="">
    <topic>Politics in art</topic>
  </subject>
  <subject authority="">
    <topic>Chicanos</topic>
  </subject>
  <subject authority="">
    <topic>Elfter September (Motiv)</topic>
  </subject>
  <subject authority="">
    <topic>Ethnische Identität (Motiv)</topic>
  </subject>
  <subject authority="">
    <topic>Geschlechtsidentität (Motiv)</topic>
  </subject>
  <subject authority="">
    <topic>Performance (Künste)</topic>
  </subject>
  <subject authority="">
    <topic>Postkolonialismus (Motiv)</topic>
  </subject>
  <subject authority="">
    <topic>Postkolonialismus &lt;Motiv&gt;</topic>
  </subject>
  <subject authority="">
    <topic>Performance &lt;Künste&gt;</topic>
  </subject>
  <subject authority="">
    <topic>Ethnische Identität &lt;Motiv&gt;</topic>
  </subject>
  <subject authority="">
    <topic>Sexuelle Identität &lt;Motiv&gt;</topic>
  </subject>
  <subject authority="">
    <geographic>United States</geographic>
  </subject>
  <subject authority="">
    <geographic>Chicanos</geographic>
  </subject>
  <classification authority="lcc">NX456.5 G633 G 2005</classification>
  <identifier type="isbn">9780415362481</identifier>
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    <recordCreationDate encoding="marc">160823</recordCreationDate>
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