01616cam a2200181 a 4500008004100000020001800041020001500059040000800074050002400082100001800106245011800124260005800242300002000300505103600320505001701356650002701373650003401400061106s2008    enkag    b    001 0 eng    a9780195324891  a0195324897  aSDU00aML3916bP277 W 20081 aPasler, Jann.10aWriting through music :bessays on music, culture, and politics /cJann Pasler ; with a foreword by George Lewis.  aOxford ;aNew York :bOxford University Press,c2008.  a 513 p. :bill.0 aTime, narrative, and memory. Narrative and narrativity in music ; Postmodernism, narrativity, and the art of memory ; Resituating the spectral revolution : French antecedents -- Self-fashioning. Deconstructing d'Indy, or the problem of a composer's reputation ; New music as confrontation : the musical sources of Cocteau's identity ; Inventing a tradition : John Cage's "Composition in retrospect" -- Identity and nation. Pelléas and power : forces behind the reception of Debussy's opera ; The ironies of gender, or virility and politics in the music of Augusta Holmès ; Race, orientalism, and distinction in the wake of the "Yellow peril" -- Patrons and patronage. Countess Greffulhe as entrepreneur : negotiating class, gender, and nation ; The political economy of composition in the American university, 1965-1985 -- The everyday life of the past. Concert programs and their narratives as emblems of ideology ; Material culture and postmodern positivism : rethinking the "popular" in late nineteenth-century French music.0 aHKBU library 0aMusicxSocial aspects. 0aMusicxHistory and criticism.