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  <titleInfo>
    <title>Wicked theory, naked practice</title>
    <subTitle>a Fred Ho reader</subTitle>
  </titleInfo>
  <titleInfo type="alternative">
    <title>Fred Ho reader</title>
  </titleInfo>
  <name type="personal">
    <namePart>Ho, Fred Wei-han.</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <name type="personal">
    <namePart>Fujino, Diane Carol.</namePart>
  </name>
  <typeOfResource>text</typeOfResource>
  <genre authority="marc">bibliography</genre>
  <originInfo>
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    <place>
      <placeTerm type="text">Minneapolis</placeTerm>
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    <publisher>University of Minnesota Press</publisher>
    <dateIssued>2009</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
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  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>427 p. ill.</extent>
  </physicalDescription>
  <tableOfContents>The movement and the self. From banana to Third World Marxist ; Beyond Asian American jazz : my musical and political changes in the Asian American movement ; Interview with Chris Mitchell -- Music, aesthetics, and cultural production. What makes "jazz" the revolutionary music of the twentieth century, and will it be revolutionary for the twenty-first century? ; Musical borrowings, exchanges, and fusions : new/experimental genres ; Kreolization and the hybridity of resistance vs. cultural imperialism ; Highlights in the history of "jazz" not covered by Ken Burns : a request from Ishmael Reed ; The damned don't cry : the life and music of Calvin Massey ; How to sell but not sell out : personal lessons from making a career as a subversive and radical performing artist ; Big Red Media, Inc., a composer/musician-driven production company : doing it yourself -- Asian Pacific American cultural theory and criticism. An Asian American tribute to the black arts movement ; Asian American music and empowerment : is there such a thing as "Asian American jazz"? ; Interview with Amy Ling ; A voice is a voice, but what is it saying? (with Arthur Song) ; Where is the Asian American love? ; Bamboo that snaps back! Resistance and revolution in Asian Pacific American working-class and left-wing expressive culture ; Tomoe Tana : keeping alive Japanese American tanka ; Hole hole bushi : cultural/musical resistance by Japanese women plantation workers in early twentieth-century Hawaii (with Susan Asai) -- Wicked theory, naked practice. The inspiration of Mao and the Chinese revolution on the black liberation movement and the Asian movement on the East Coast ; Notes on the national question : oppressed nations and liberation struggles within the U.S.A. ; Matriarchy : the first and final communism ; Momentum for change : lessons for the East Coast Asian student movement ; Flags, falsehoods, and fascism : as long as imperialism exists, chickens will come home to roost!</tableOfContents>
  <tableOfContents>HKBU library</tableOfContents>
  <note type="statement of responsibility">Fred Ho ; edited by Diane C. Fujino ; foreword by Robin D.G. Kelley ; afterword by Bill V. Mullen.</note>
  <note type="venue">YT2025 M08</note>
  <subject authority="lcsh">
    <topic>Jazz</topic>
    <topic>History and criticism</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Music</topic>
    <topic>Social aspects</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Asian American musicians</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Asian Americans</topic>
    <topic>Social conditions</topic>
  </subject>
  <classification authority="lcc">ML60 H678 W 2009</classification>
  <identifier type="isbn">9780816656844</identifier>
  <identifier type="isbn">0816656843</identifier>
  <identifier type="isbn">9780816656851</identifier>
  <identifier type="isbn">0816656851</identifier>
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