01526cam a22002414a 4500008004100000020001800041020001500059020001800074020001500092040000800107050002400115100002500139245007100164260006900235300001100304505070400315505001701019650004101036900001401077942001301091999001901104952016101123110425s2011    enk      bq   001 0 eng    a9781441122575  a1441122575  a9781441153432  a1441153438  aSDU00aPN1995bS615 N 20111 aSinnerbrink, Robert.10aNew philosophies of film :bthinking images /cRobert Sinnerbrink.  aLondon ;aNew York :bContinuum International Pub. Group,c2011.  a247 p.0 aIntroduction: why did philosophy go to the movies? -- The analytic-cognitivist turn. The empire strikes back: critiques of "grand theory" -- The rules of the game: new ontologies of film -- Adaptation: philosophical approaches to narrative -- From cognitivism to film-philosophy. A.I.: cognitivism goes to the movies -- Bande à part: Deleuze and Cavell as film-philosophers -- Scenes from a marriage: film as philosophy -- Cinematic thinking. Hollywood in trouble: David Lynch's Inland empire -- "Chaos reigns": anti-cognitivism in Lars von trier's Antichrist -- Song of the earth: cinematic romanticism in Malick's The new world -- Coda: "the six most beautiful minutes in the history of cinema".0 aHKBU library 0aMotion picturesxPhilosophy.9124707  a= C.1 SDU  cGBE2lcc  c104963d104963  00102lcc406PN1995 S615 N2011708CGB9279604aSDUbSDUcGEN3d2025-08-28e2l0oPN1995 S615 N 2011p1000361475r2025-08-28 00:00:00tC.1w2025-08-28yGBE