02149cam a2200277 a 4500 110822s2012 ilua bq s001 0 eng 9780252078415 0252078411 9780252036699 0252036697 40020553058 SDU PN1998 C559 K 2012 Chung, Hye Seung, Kim Ki-duk / Hye Seung Chung. Urbana : University of Illinois Press, c2012. x, 161 p. : ill. Contemporary film directors Beyond "extreme": the cinema of ressentiment. Kim Ki-duk: towards a more perfect imperfection -- An auteur is born: fishhooks, critical debates, and transnational canons -- On suffering and sufferance: postcolonial pain and the "purloined letter" in Address unknown -- Reconciling the paradox of silence and apologia: Bad guy, The isle, and 3-iron -- Neofeminist revisions: female bodies and semiotic chora in Birdcage inn and Samaritan girl -- The bodhisattva inner-eye: inwardly drawn transcendence in Spring, summer, fall, winter -- and spring -- Interview with Kim Ki-duk: from Crocodile to Address unknown / by Kim So-Hee. HKBU library YT2025 M09 This study investigates the controversial motion pictures written and directed by the independent filmmaker Kim Ki-duk, one of the most acclaimed Korean auteurs in the English-speaking world. Propelled by underdog protagonists who can only communicate through shared corporeal pain and extreme violence, Kim's graphic films have been classified by Western audiences as belonging to sensationalist East Asian "extreme" cinema, and Kim has been labelled a "psychopath" and "misogynist" in South Korea. Drawing upon both Korean-language and English-language sources, Hye Seung Chung challenges these misunderstandings, recuperating Kim's oeuvre as a therapeutic, yet brutal cinema of Nietzschean ressentiment (political anger and resentment deriving from subordination and oppression). Kim, Ki-dŏk, 1960- Criticism and interpretation. = C.1 SDU GBE lcc 104974 104974 0 0 lcc 0 PN1998 C559 K2012 0 CGB 281407 SDU SDU GEN3 2025-09-10 2 0 PN1998 C559 K 2012 1000363234 2025-09-10 00:00:00 C.1 2025-09-10 GBE