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  <titleInfo>
    <title>Rethinking the femme fatale in film noir</title>
    <subTitle>ready for her close-up</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Grossman, Julie</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <typeOfResource>text</typeOfResource>
  <genre authority="marc">bibliography</genre>
  <originInfo>
    <place>
      <placeTerm type="code" authority="marccountry">enk</placeTerm>
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    <place>
      <placeTerm type="text">Basingstoke, UK</placeTerm>
    </place>
    <place>
      <placeTerm type="text">New York</placeTerm>
    </place>
    <publisher>Palgrave Macmillan</publisher>
    <dateIssued>2009</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>176 p. : ill.</extent>
  </physicalDescription>
  <abstract>"In the context of nineteenth-century Victorinoir and close readings of original-cycle film noir, Julie Grossman argues that the presence of the 'femme fatale' figure, as she is understood in film criticism and popular culture, is drastically over-emphasized and has helped to sustain cultural obsessions with 'bad' women"--Provided by publisher.</abstract>
  <tableOfContents>Introduction : "no one mourns the wicked" -- Film noir's "femmes fatales" : moving beyond gender fantasies -- "Well, aren't we ambitious? : desire, domesticity, and the "femme fatale" -- Psychological disorders and "wiretapping the unconscious" : film noir listens to women -- Looking back - Victorinoir: modern women and the fatal(e) progeny of Victorian representations -- Looking forward- deconstructing the "femme Fatale".</tableOfContents>
  <tableOfContents>HKBU library</tableOfContents>
  <note type="statement of responsibility">Julie Grossman.</note>
  <note type="venue">YT2025 M08</note>
  <subject authority="lcsh">
    <topic>Femmes fatales in motion pictures</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Film noir</topic>
    <topic>History and criticism</topic>
  </subject>
  <classification authority="lcc">PN1995 G878 R 2009</classification>
  <identifier type="isbn">9780230233287</identifier>
  <identifier type="isbn">0230233287</identifier>
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    <recordCreationDate encoding="marc">091002</recordCreationDate>
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