01666cam a2200253 a 4500008004100000020001800041020001500059040000800074050002400082100002900106245009000135260006200225300001900287505043100306505001700737518001500754520035100769650004701120650003801167900001401205942001301219999001901232952016101251091002s2009    enka     b    001 0 eng    a9780230233287  a0230233287  aSDU00aPN1995bG878 R 20091 aGrossman, Julie,919699410aRethinking the femme fatale in film noir :bready for her close-up /cJulie Grossman.  aBasingstoke, UK ;aNew York :bPalgrave Macmillan,c2009.  a176 p. :bill.0 aIntroduction : "no one mourns the wicked" -- Film noir's "femmes fatales" : moving beyond gender fantasies -- "Well, aren't we ambitious? : desire, domesticity, and the "femme fatale" -- Psychological disorders and "wiretapping the unconscious" : film noir listens to women -- Looking back - Victorinoir: modern women and the fatal(e) progeny of Victorian representations -- Looking forward- deconstructing the "femme Fatale".0 aHKBU library  aYT2025 M08  a"In the context of nineteenth-century Victorinoir and close readings of original-cycle film noir, Julie Grossman argues that the presence of the 'femme fatale' figure, as she is understood in film criticism and popular culture, is drastically over-emphasized and has helped to sustain cultural obsessions with 'bad' women"--Provided by publisher. 0aFemmes fatales in motion pictures.9196995 0aFilm noirxHistory and criticism.  a= C.1 SDU  cGBE2lcc  c105090d105090  00102lcc406PN1995 G878 R2009708CGB9279519aSDUbSDUcGEN3d2025-08-27e2l0oPN1995 G878 R 2009p1000370546r2025-08-27 00:00:00tC.1w2025-08-27yGBE