01976cam a2200193 a 4500008004100000020001800041020001500059040000800074050002200082245005500104260003400159300001900193505143200212505001701644518001501661650002901676650004601705700003101751090813s2010    nyua     b    001 0 eng    a9780826429674  a082642967X  aSDU00aPN1995bR216 201000aRape in art cinema /cedited by Dominique Russell.  aNew York :bContinuum,c2010.  a244 p. :bill.0 aIntroduction: why rape? / Dominique Russell -- Canonical works and auteurs. Screen/memory: rape and its alibis in Last year at Marienbad / Lynn A. Higgins -- The fault lines of vision: Rashomon and The man left his will on film / Eugenie Brinkema -- Buñuel: storytelling, desire and the question of rape / Dominique Russell -- Materiality and metaphor: rape in Anne Claire Poirier's Mourir à tue-tête and Jean-Luc Godard's Weekend / Shana MacDonald -- Sins of permission: the union of rape and marriage in Die Marquise von O and Breaking the waves / Victoria Anderson -- Rough awakenings: unconscious women and rape in Kill Bill and Talk to her / Adriana Novoa -- English-language independent cinemas. Jane Campion's women's films: art cinema and the postfeminist rape narrative / Shelley Cobb -- Boys don't get raped / Ann J. Cahill -- "If it was a rape, then why would she be a whore?" Rape in Todd Solondz' films / Michelle E. Moore -- Cinéma brut and the new French extremists. "Typically French"? Mediating screened rape to British audiences / Martin Barker -- On watching and turning away: Ono's Rape, cinéma direct aesthetics and the genealogy of cinéma brut / Scott MacKenzie -- Uncanny horrors: male rape in Bruno Dumont's Twentynine palms / Lisa Coulthard --  Sexual trauma and jouissance in Baise-moi / Joanna Bourke -- Shame and the sisters: Catherine Breillat's À ma soeur! (Fat Girl) / Tanya Horeck.0 aHKBU library  aYT2025 M08 0aRape in motion pictures. 0aIndependent filmsxHistory and criticism.1 aRussell, Dominique,d1965-