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  <titleInfo>
    <title>Psychology at the movies</title>
  </titleInfo>
  <name type="personal">
    <namePart>Young, Skip Dine</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <typeOfResource>text</typeOfResource>
  <genre authority="marc">bibliography</genre>
  <originInfo>
    <place>
      <placeTerm type="code" authority="marccountry">enk</placeTerm>
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    <place>
      <placeTerm type="text">Malden, MA</placeTerm>
    </place>
    <publisher>Wiley-Blackwell</publisher>
    <dateIssued>2012</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>253 p. : ill</extent>
  </physicalDescription>
  <abstract>All movies are psychologically alive, exploding with human drama. This drama can be seen from many different angles-in the movies themselves, in the people who make them, and in the people who watch them. Psychology at the Movies explores these issues and addresses how psychologists have interpreted movies and how psychotherapy and psychopathology have been depicted in film. The author also examines the psychological make-up of legendary directors, such as Hitchcock, Scorsese and Woody Allen, and actors such as Angelina Jolie and Jack Nicholson. Also considered is the powerful impact that film can have on its audience. The author draws upon his extensive experience in the fields of film and psychology to reveal the deep connections between the fantasy world of cinema and the realities of everyday life. Engagingly written to appeal to academics and movie fans alike, Psychology at the Movies is a front row ticket to issues at the forefront of popular cinema and the human mind.</abstract>
  <tableOfContents>HKBU Library</tableOfContents>
  <note type="statement of responsibility">Skip Dine Young.</note>
  <subject authority="lcsh">
    <topic>Motion pictures</topic>
    <topic>Psychological aspects</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Psychoanalysis and motion pictures</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Motion picture audiences</topic>
    <topic>Psychology</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Psychiatry in motion pictures</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Psychoanalysis in motion pictures</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Mental health personnel in motion pictures</topic>
  </subject>
  <subject authority="">
    <topic>Mental health personnel in motion pictures</topic>
  </subject>
  <subject authority="">
    <topic>Motion picture audiences</topic>
    <topic>Psychology</topic>
  </subject>
  <subject authority="">
    <topic>Motion pictures</topic>
    <topic>Psychological aspects</topic>
  </subject>
  <subject authority="">
    <topic>Psychiatry in motion pictures</topic>
  </subject>
  <subject authority="">
    <topic>Psychoanalysis and motion pictures</topic>
  </subject>
  <subject authority="">
    <topic>Psychoanalysis in motion pictures</topic>
  </subject>
  <subject authority="">
    <topic>Psychiatrie</topic>
  </subject>
  <subject authority="">
    <topic>Film</topic>
  </subject>
  <subject authority="">
    <topic>Publikum</topic>
  </subject>
  <subject authority="">
    <topic>Psychoanalyse</topic>
  </subject>
  <classification authority="lcc">PN1995 Y76 P 2012</classification>
  <identifier type="isbn">9780470971772</identifier>
  <identifier type="isbn">0470971770</identifier>
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    <recordCreationDate encoding="marc">161208</recordCreationDate>
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