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  <titleInfo>
    <title>Experimentation on the English stage, 1695-1708</title>
    <subTitle>the career of George Farquhar</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Heard, Elisabeth J.</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
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    <place>
      <placeTerm type="text">London</placeTerm>
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    <publisher>Pickering &amp; Chatto</publisher>
    <dateIssued>2008</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
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  <physicalDescription>
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    <extent>170 p.</extent>
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  <abstract>At the beginning of the eighteenth century, British theatre saw a shift from what critics now call 'Restoration' to 'sentimental' comedy. Focusing on the career of the Irish dramatist George Farquhar (1678-1707), Heard argues that experimentation was the basis for this change. Farquhar's first play, "Love and a Bottle" (1698) relied on outdated plot devices and character types. By contrast, his final two plays, "The Recruiting Officer" (1706) and "The Beaux Stratagem" (1707) used creative new elements to connect with English audiences. Over ten years, Farquhar and his contemporaries experimented with characters, plot lines, and dialogue in an attempt to woo their audiences. In doing so they initiated a new era in British comedy.</abstract>
  <tableOfContents>HKBU Library</tableOfContents>
  <note type="statement of responsibility">Elizabeth J. Heard.</note>
  <subject authority="lcsh">
    <name type="personal">
      <namePart>Farquhar, George</namePart>
      <namePart type="date">1677?-1707</namePart>
    </name>
    <topic>Technique</topic>
  </subject>
  <subject authority="lcsh">
    <name type="personal">
      <namePart>Farquhar, George</namePart>
      <namePart type="date">1677?-1707</namePart>
    </name>
    <topic>Stories, plots, etc</topic>
  </subject>
  <subject authority="lcsh">
    <name type="personal">
      <namePart>Farquhar, George</namePart>
      <namePart type="date">1677?-1707</namePart>
    </name>
    <topic>Criticism and interpretation</topic>
  </subject>
  <subject authority="lcsh">
    <topic>English drama (Comedy)</topic>
    <topic>History and criticism</topic>
  </subject>
  <subject authority="lcsh">
    <topic>English drama</topic>
    <temporal>18th century</temporal>
    <topic>History and criticism</topic>
  </subject>
  <subject authority="lcsh">
    <topic>English drama</topic>
    <temporal>17th century</temporal>
    <topic>History and criticism</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Sentimental comedies</topic>
  </subject>
  <classification authority="lcc">PR3438 H435 E 2008</classification>
  <identifier type="isbn">9781851969715</identifier>
  <identifier type="isbn">1851969713</identifier>
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    <recordCreationDate encoding="marc">101026</recordCreationDate>
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