01688cam a2200205 a 4500008004100000020001800041020001500059040000800074050002400082100002200106245009600128260006400224300001100288490003200299505001700331520099400348600004901342650003301391650005801424120416s2013    enk      b    001 0 eng    a9781107020603  a1107020603  aSDU00aPA6480bD273 L 20131 aDay, Henry J. M.,10aLucan and the sublime :bpower, representation and aesthetic experience /cHenry J. M. Day.  aCambridge ;aNew York :bCambridge University Press,c2013.  a262 p.0 aCambridge classical studies8 aHKBU Library  a"This is the first systematic study of the sublime in Lucan. Drawing upon renewed critical interest in the tradition of philosophical aesthetics, Henry Day argues that the category of the sublime offers a means of moving beyond readings of Lucan's epic poem Bellum Civile in terms of political commitment or nihilism. Demonstrating in dialogue with theorists from Burke and Kant to Freud, Lyotard and Ankersmit the continuing vitality of Longinus' foundational treatise On the Sublime, Day charts Lucan's complex and instructive exploration of the relationship between sublimity and ethical discourses of freedom and oppression. Through its representation of the apocalypse of civil war and metapoetic accounts of its own genesis, through its heated linguistic texture and proclaimed effects upon future readers, and, most powerfully of all, through its representation of its twin protagonists Caesar and Pompey, the Bellum Civile emerges as a central text in the history of the sublime"--00aLucan,d39-65xCriticism and interpretation. 0aSublime, The, in literature. 7aLITERARY COLLECTIONS / Ancient, Classical & Medieval.