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  <titleInfo>
    <title>Visions of Japanese modernity</title>
    <subTitle>articulations of cinema, nation, and spectatorship, 1895-1925</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Gerow, Aaron Andrew.</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <typeOfResource>text</typeOfResource>
  <genre authority="marc">bibliography</genre>
  <originInfo>
    <place>
      <placeTerm type="code" authority="marccountry">cau</placeTerm>
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    <place>
      <placeTerm type="text">Berkeley</placeTerm>
    </place>
    <publisher>University of California Press</publisher>
    <dateIssued>2010</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>323 p. : ill.</extent>
  </physicalDescription>
  <tableOfContents>The motion pictures as a problem -- Gonda Yasunosuke and the promise of film study -- Studying the pure film -- The subject of the text: Benshi, authors, and industry -- Managing the internal -- Conclusion : mixture, hegemony, and resistance.</tableOfContents>
  <note type="statement of responsibility">Aaron Gerow.</note>
  <subject authority="lcsh">
    <topic>Motion pictures</topic>
    <geographic>Japan</geographic>
    <topic>History</topic>
    <temporal>19th century</temporal>
  </subject>
  <subject authority="lcsh">
    <topic>Motion pictures</topic>
    <geographic>Japan</geographic>
    <topic>History</topic>
    <temporal>20th century</temporal>
  </subject>
  <classification authority="lcc">PN1993 G377 V 2010</classification>
  <identifier type="isbn">9780520254565</identifier>
  <identifier type="isbn">0520254562</identifier>
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    <recordCreationDate encoding="marc">090804</recordCreationDate>
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