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  <titleInfo>
    <title>Local music scenes and globalization</title>
    <subTitle>transnational platforms in Beirut</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Burkhalter, Thomas</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <typeOfResource>text</typeOfResource>
  <genre authority="marc">bibliography</genre>
  <originInfo>
    <place>
      <placeTerm type="code" authority="marccountry">nyu</placeTerm>
    </place>
    <dateIssued encoding="marc">2013</dateIssued>
    <issuance>monographic</issuance>
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  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>303 p. : ill.</extent>
  </physicalDescription>
  <tableOfContents>Theory and methodology : music making in a digitalized world. Globalization and digitalization in music ; Theoretical frame ; Methodological approach -- Ethnography : musicians from Beirut born during the Lebanese civil war. Experimental music ; Metal music and classic rock ; Urban music ; Rap ; Transnational networks (human hubs) ; Music as a media product ; Musicians as actors -- Analysis : six key tracks from Beirut. Zeid Hamdan: Aranis (remixed) ; Garo Gdanian: Remains of a bloodbath ; Mazen Kerbaj : Blblb flblb, Zrrrt, PIIIIIIIIIIII ; Taga of Daga ; Raed Yassin : Civil war tapes ; Charbel Haber : Track 5 : Rayess Bek : Schizophrenia -- History : Music and noise in Lebanon from the past and present. Ground setting : the urbanization and Europeanization of music in the Arab world ; Modern music from Cairo, old music from Aleppo ; European music and Christian hymns in Beirut (1926-1948) ; The creation of a Lebanese music (1948-1967) ; Nasserism versus tourism (1952-1967) ; The rise of dissident culture and alternative music (1968-1975) ; Bombs, protest, propaganda and rock music from the Lebanese civil war (1975-1990) ; Pan-Arabic pop and the 2006 war -- Meaning : reading Lebanese music making from different perspectives. Historical perspectives ; Sociopolitical perspectives ; Geopolitical perspectives ; Psychological perspectives ; Aesthetical perspectives ; Euro-American perspectives.</tableOfContents>
  <tableOfContents>HKBU library</tableOfContents>
  <note type="statement of responsibility">Thomas Burkhalter.</note>
  <note type="venue">YT2025 M10</note>
  <subject authority="lcsh">
    <topic>Music and globalization</topic>
    <geographic>Lebanon</geographic>
  </subject>
  <subject authority="lcsh">
    <topic>Music and transnationalism</topic>
    <geographic>Lebanon</geographic>
  </subject>
  <subject authority="lcsh">
    <topic>Popular music</topic>
    <topic>Social aspects</topic>
    <geographic>Lebanon</geographic>
    <geographic>Beirut</geographic>
  </subject>
  <subject authority="lcsh">
    <topic>Popular music</topic>
    <topic>Political aspects</topic>
    <geographic>Lebanon</geographic>
    <geographic>Beirut</geographic>
  </subject>
  <subject authority="lcsh">
    <topic>Music</topic>
    <geographic>Lebanon</geographic>
    <geographic>Beirut</geographic>
    <temporal>20th century</temporal>
    <topic>History and criticism</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Popular music</topic>
    <geographic>Lebanon</geographic>
    <geographic>Beirut</geographic>
    <topic>History and criticism</topic>
  </subject>
  <classification authority="lcc">ML3917 B959 L 2013</classification>
  <relatedItem type="series">
    <titleInfo>
      <title>Routledge studies in ethnomusicology ; 3</title>
    </titleInfo>
  </relatedItem>
  <identifier type="isbn">9780415808132</identifier>
  <identifier type="isbn">9780203598252</identifier>
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    <recordCreationDate encoding="marc">120814</recordCreationDate>
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