01772cam a2200241 i 4500008004100000020001800041020001800059040000800077050002400085100002600109245008400135260005500219300001100274505093500285505001701220518001501237650003501252650003901287900001401326942001301340999001901353952015801372130103s2013    mdu      b    001 0 eng    a9780810891173  a9780810891180  aSDU00aPN1995bH325 Q 20131 aHart, Kylo-Patrick R.10aQueer males in contemporary cinema :bbecoming visible /cKylo-Patrick R. Hart.  aMaryland : bScarecrow Press, Incorporated,c2013.  a183 p.0 aThe love between Warden and Prew that dare not speak its name: containing homosexuality as subtext in From Here to Eternity -- Gay male spectatorship, textual flexibility, and mainstream American cinema -- "Out of the closets and into the shadows": cruising with the boys in the band -- Queering the teen movie: exploring groundbreaking representations of nonheterosexual adolescents in Gregg Araki's teen-apocalypse trilogy -- Gay men, self-representation, and AIDS documentaries -- When style becomes substance: the form and function of a rap aesthetic in the AIDS movie chocolate babies -- Increasing visi(bi)lity: bisexual men in contemporary U.S. cinema -- Transamerican cinema: representing gender dysphoria on film -- Retrograde storytelling or queer cinematic triumph? the (not so) groundbreaking qualities of the film Brokeback Mountain -- Back to the future: queer representations and the films of John Cameron Mitchell.0 aHKBU library  aYT2025 M09 0aGay people in motion pictures. 0aAIDS (Disease) in motion pictures.  a= C.1 SDU  cGBE2lcc  c108542d108542  00102lcc406PN1995 H325 Q2013708CGB9283183aSDUbSDUcGEN3d2025-09-26e2oPN1995 H325 Q 2013p1000361276r2025-09-26 00:00:00tC.1w2025-09-26yGBE