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  <titleInfo>
    <title>Gender meets genre in postwar cinemas</title>
  </titleInfo>
  <name type="personal">
    <namePart>Gledhill, Christine.</namePart>
  </name>
  <typeOfResource>text</typeOfResource>
  <genre authority="marc">bibliography</genre>
  <originInfo>
    <place>
      <placeTerm type="code" authority="marccountry">ilu</placeTerm>
    </place>
    <place>
      <placeTerm type="text">Urbana</placeTerm>
    </place>
    <publisher>University of Illinois Press</publisher>
    <dateIssued>2012</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>274 p. : ill.</extent>
  </physicalDescription>
  <tableOfContents>Introduction / Christine Gledhill -- Refiguring genre and gender. The genius of genre and ingenuity of women / Jane Gaines -- No fixed address: the women's picture from outrage to blue steel / Pam Cook -- Circulating emotion: race, gender, and genre in Crash / E. Deidre Pribram -- 100% pure adrenaline: gender and generic surface in Point break / Luke Collins -- Postfeminism and generic re-inventions. Troubling genre/reconstructing gender / E. Ann Kaplan -- Bodies and genres in transition: girlfight and real women have curves / Yvonne Tasker -- Private femininity, public femininity: tactical aesthetics in the costume film / Samiha Matin -- Generic gleaning: Agnès Varda, documentary, and the art of salvage / Lucy Fischer -- Gender aesthetics in "male" genres. It's a Mann's world? / Adam Segal -- Up close and personal: faces and names in Casualties of war / Deborah Thomas -- Gender hyperbole and the uncanny in the horror film: The shining / Katie Model -- Genre and gender transnational. Emotion, subjectivity, and the limits of desire: melodrama and modernity in Bombay cinema, 1940s-50s / Ira Bhaskar -- Woman, generic aesthetics, and the vernacular: Huangmei opera films from China to Hong Kong / Xiangyang Chen -- Homoeroticism contained: gender and sexual translation in John Woo's Migration to Hollywood / Vicente Rodriguez Ortega -- Generic "trans-ings": between genres, genders, and sexualities. Trash comes home: gender/genre subversion in the films of John Waters / Derek Kane-Meddock -- Femme fatale or lesbian femme: bound in sexual différance / Chris Straayer -- "The gay cowboy movie": queer masculinity on Brokeback Mountain / Steven Cohan.</tableOfContents>
  <tableOfContents>HKBU library</tableOfContents>
  <note type="statement of responsibility">edited by Christine Gledhill.</note>
  <note type="venue">YT2025 M08</note>
  <subject authority="lcsh">
    <topic>Sex role in motion pictures</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Motion pictures and women</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Feminism and motion pictures</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Film genres</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Women in motion pictures</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Men in motion pictures</topic>
  </subject>
  <classification authority="lcc">PN1995 G46 2012</classification>
  <identifier type="isbn">9780252078316</identifier>
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    <recordContentSource authority="marcorg">SDU</recordContentSource>
    <recordCreationDate encoding="marc">111107</recordCreationDate>
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