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  <titleInfo>
    <title>Tactics of the human</title>
    <subTitle>experimental technics in American fiction</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Shackelford, Laura.</namePart>
    <role>
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  <typeOfResource>text</typeOfResource>
  <genre authority="marc">bibliography</genre>
  <originInfo>
    <place>
      <placeTerm type="code" authority="marccountry">miu</placeTerm>
    </place>
    <place>
      <placeTerm type="text">Ann Arbor</placeTerm>
    </place>
    <publisher>University of Michigan Press</publisher>
    <dateIssued>2014</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>265 p.</extent>
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  <abstract>"Tactics of the Human: Experimental Technics in American Fiction examines the ways contemporary American fiction develops digital cultures through the creative transposition of digital rhetorics and technological practices, incorporating devices such as the hyperlink, network, and recursive processing into print or in translating a classic print narrative into a digital hypertext fiction. These literary experiments with early digital cultures from the 1990s comparatively retrace and speculate on the digital's transformative influence on prior understandings of the human, of social lives, and of individuals' relations to material lifeworlds, exploring the consequences of the apparent plasticity of the boundaries of the human, particularly for women, subaltern subjects, and others already considered liminally human. As these texts query the digital technics entering into textual practices, subjectivity, spatial practices and social networks, lived space, nation, and economic circulation, they reconceive their own literary print narrative methods and material modes of circulation in order to elaborate on unnoticed potentialities and limits of digital technics, providing a crucial means to reorient digital cultures of the present"--</abstract>
  <tableOfContents>HKBU Library</tableOfContents>
  <note type="statement of responsibility">Laura Shackelford.</note>
  <subject authority="lcsh">
    <topic>American fiction</topic>
    <topic>History and criticism</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Literature and technology</topic>
    <geographic>United States</geographic>
  </subject>
  <subject authority="lcsh">
    <topic>Human body and technology in literature</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Hypertext fiction</topic>
    <topic>History and criticism</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Literature and the Internet</topic>
    <geographic>United States</geographic>
  </subject>
  <subject authority="lcsh">
    <topic>Experimental fiction, American</topic>
    <topic>History and criticism</topic>
  </subject>
  <subject authority="">
    <topic>LITERARY CRITICISM / American / General</topic>
  </subject>
  <subject authority="">
    <topic>SOCIAL SCIENCE / Media Studies</topic>
  </subject>
  <classification authority="lcc">PS374 S119 T 2014</classification>
  <identifier type="isbn">9780472072385</identifier>
  <identifier type="isbn">9780472052387</identifier>
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    <recordContentSource authority="marcorg">SDU</recordContentSource>
    <recordCreationDate encoding="marc">140903</recordCreationDate>
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