Introduction: why rape? / Dominique Russell -- Canonical works and auteurs. Screen/memory: rape and its alibis in Last year at Marienbad / Lynn A. Higgins -- The fault lines of vision: Rashomon and The man left his will on film / Eugenie Brinkema -- Buñuel: storytelling, desire and the question of rape / Dominique Russell -- Materiality and metaphor: rape in Anne Claire Poirier's Mourir à tue-tête and Jean-Luc Godard's Weekend / Shana MacDonald -- Sins of permission: the union of rape and marriage in Die Marquise von O and Breaking the waves / Victoria Anderson -- Rough awakenings: unconscious women and rape in Kill Bill and Talk to her / Adriana Novoa -- English-language independent cinemas. Jane Campion's women's films: art cinema and the postfeminist rape narrative / Shelley Cobb -- Boys don't get raped / Ann J. Cahill -- "If it was a rape, then why would she be a whore?" Rape in Todd Solondz' films / Michelle E. Moore -- Cinéma brut and the new French extremists. "Typically French"? Mediating screened rape to British audiences / Martin Barker -- On watching and turning away: Ono's Rape, cinéma direct aesthetics and the genealogy of cinéma brut / Scott MacKenzie -- Uncanny horrors: male rape in Bruno Dumont's Twentynine palms / Lisa Coulthard -- Sexual trauma and jouissance in Baise-moi / Joanna Bourke -- Shame and the sisters: Catherine Breillat's À ma soeur! (Fat Girl) / Tanya Horeck.

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