000			01696cam a2200217 a 4500
008			061106s2008 enkag b 001 0 eng
020			_a9780195324891
020			_a0195324897
040			_aSDU
050	0	0	_aML3916 _bP277 W 2008
100	1		_aPasler, Jann.
245	1	0	_aWriting through music : _bessays on music, culture, and politics / _cJann Pasler ; with a foreword by George Lewis.
260			_aOxford ; _aNew York : _bOxford University Press, _c2008.
300			_a 513 p. : _bill.
505	0		_aTime, narrative, and memory. Narrative and narrativity in music ; Postmodernism, narrativity, and the art of memory ; Resituating the spectral revolution : French antecedents -- Self-fashioning. Deconstructing d'Indy, or the problem of a composer's reputation ; New music as confrontation : the musical sources of Cocteau's identity ; Inventing a tradition : John Cage's "Composition in retrospect" -- Identity and nation. Pelléas and power : forces behind the reception of Debussy's opera ; The ironies of gender, or virility and politics in the music of Augusta Holmès ; Race, orientalism, and distinction in the wake of the "Yellow peril" -- Patrons and patronage. Countess Greffulhe as entrepreneur : negotiating class, gender, and nation ; The political economy of composition in the American university, 1965-1985 -- The everyday life of the past. Concert programs and their narratives as emblems of ideology ; Material culture and postmodern positivism : rethinking the "popular" in late nineteenth-century French music.
505	0		_aHKBU library
650		0	_aMusic _xSocial aspects.
650		0	_aMusic _xHistory and criticism.
900			_a= C.1 SDU
942			_cGBE _2lcc
999			_c104745 _d104745