000			03511cam a22002894a 4500
008			110613s2012 ilua bq s001 0 eng
020			_a9780809330959
020			_a0809330954
020			_a9780809330973
020			_a0809330970
040			_aSDU
050	0	0	_aPN1995 _bP556 D 2012
100	1		_aPhillips, Kendall R. _9196887
245	1	0	_aDark directions : _bRomero, Craven, Carpenter, and the modern horror film / _cKendall R. Phillips.
260			_aCarbondale : _bSouthern Illinois University Press, _c2012.
300			_a 215 p. : _bill.
505	0		_aIntroduction: auteur, genre, and the rhetorics of horror -- Unconstrained bodies in the films of George Romero. The body as contrast: Romero's Living dead -- The body as site of struggle: The crazies, Monkey shines, The dark half, Bruiser -- Romero's mythic bodies: Martin and Knightriders -- Gothic dimensions in the films of Wes Craven. Craven's gothic form: nightmares, screams, and monsters -- Gothic technologies: Serpent and the rainbow, Deadly friend, Swamp thing, Red eye, Shocker -- Gothic families: The people under the stairs, The hills have eyes, Last house on the left -- Desolate frontiers in the films of John Carpenter. Sites under siege: Dark star, Assault on Precinct 13, The thing, Village of the damned -- Forbidden thresholds: The fog, Ghosts of Mars, Halloween, Prince of darkness, In the mouth of madness -- Drifters in desolation: Big trouble in Little China, Vampires, They live, Escape from New York, Escape from L.A. -- Conclusion.
505	0		_aHKBU library
518			_aYT2025 M08
520			_aA Nightmare on Elm Street. Halloween. Night of the Living Dead. These films have been indelibly stamped on moviegoers' psyches and are now considered seminal works of horror. Guiding readers along the twisted paths between audience, auteur, and cultural history, author Kendall R. Phillips reveals the macabre visions of these films' directors in Dark Directions: Romero, Craven, Carpenter, and the Modern Horror Film. Phillips begins by analyzing the works of George Romero, focusing on how the body is used cinematically to reflect the duality between society and chaos, concluding that the unconstrained bodies of the Living Dead films act as a critical intervention into social norms. Phillips then explores the shadowy worlds of director Wes Craven. In his study of the films The Serpent and the Rainbow, Deadly Friend, Swamp Thing, Red Eye, and Shocker, Phillips reveals Craven's vision of technology as inherently dangerous in its ability to cross the gossamer thresholds of the gothic. Finally, the volume traverses the desolate frontiers of iconic director John Carpenter. Through an exploration of such works as Halloween, The Fog, and In the Mouth of Madness, Phillips delves into the director's representations of boundaries--and the haunting consequences for those who cross them. The first volume ever to address these three artists together, Dark Directions is a spine-tingling and thought-provoking study of the horror genre. In analyzing the individual works of Romero, Craven, and Carpenter, Phillips illuminates some of the darkest minds in horror cinema.
600	1	0	_aRomero, George A. _xCriticism and interpretation. _9196888
600	1	0	_aCraven, Wes _xCriticism and interpretation. _9196889
600	1	0	_aCarpenter, John, _d1948- _xCriticism and interpretation. _9196890
650		0	_aHorror films _zUnited States _xHistory and criticism. _9196891
900			_a= C.1 SDU
942			_cGBE _2lcc
999			_c105063 _d105063