000			01956cam a2200325 a 4500
008			151005s2010 enkaf bq 001 0 eng
020			_a9780415420433
040			_aSDU
050	0	0	_aPN1995.9 _bW116 W 2010
100	1		_aWaddell, Terrie, _9197008
245	1	0	_aWild/lives : _btrickster, place and liminality on screen / _cTerrie Waddell.
246	3	0	_aTrickster, place and liminality on screen
260			_aLondon ; _aNew York : _bRoutledge, _c2010.
300			_a186 p. : _bill.
505	0		_aHKBU Library
520	1		_a"Wild/Lives draws on myth, popular culture and analytical psychology to trace the machinations of 'trickster' in contemporary film and television. This archetypal energy traditionally gravitates toward liminal spaces - physical locations and shifting states of mind. By focusing on productions set in remote or isolated spaces, Terrie Waddell explores how key trickster-infused sites of transition reflect the psychological fragility of their willing and unwilling occupants. In differing ways, the selected texts - Deadwood, Grizzly Man, Lost, Solaris, The Biggest Loser, Amores Perros and Repulsion - all play with inner and outer marginality." "As this study demonstrates, the dramatic potential of transition is not always geared toward resolution. Prolonging the anxiety of change is an increasingly popular option. Trickster moves within this wildness and instability to agitate a form of dialogue between conscious and unconscious processes."--Jacket.
650		7	_aLiminality in motion pictures. _9197010
650		7	_aTricksters in motion pictures. _9197009
650		7	_aTricksters on television. _9197011
650		7	_aGauner. _9197013
650		7	_aMinderheit.
650		7	_aAussenseiter. _9197014
650		7	_aTrickster.
650		7	_aFilm.
650		7	_aFernsehen. _9197016
650	0	7	_aFernsehsendung. _9197015
650	0	7	_aTrickster <Motiv> _9197017
900			_a = C.1 SDU
942			_cGBE _2lcc
999			_c105093 _d105093