000			02075cam a2200229 a 4500
008			090813s2010 nyua b 001 0 eng
020			_a9780826429674
020			_a082642967X
040			_aSDU
050	0	0	_aPN1995 _bR216 2010
245	0	0	_aRape in art cinema / _cedited by Dominique Russell.
260			_aNew York : _bContinuum, _c2010.
300			_a244 p. : _bill.
505	0		_aIntroduction: why rape? / Dominique Russell -- Canonical works and auteurs. Screen/memory: rape and its alibis in Last year at Marienbad / Lynn A. Higgins -- The fault lines of vision: Rashomon and The man left his will on film / Eugenie Brinkema -- Buñuel: storytelling, desire and the question of rape / Dominique Russell -- Materiality and metaphor: rape in Anne Claire Poirier's Mourir à tue-tête and Jean-Luc Godard's Weekend / Shana MacDonald -- Sins of permission: the union of rape and marriage in Die Marquise von O and Breaking the waves / Victoria Anderson -- Rough awakenings: unconscious women and rape in Kill Bill and Talk to her / Adriana Novoa -- English-language independent cinemas. Jane Campion's women's films: art cinema and the postfeminist rape narrative / Shelley Cobb -- Boys don't get raped / Ann J. Cahill -- "If it was a rape, then why would she be a whore?" Rape in Todd Solondz' films / Michelle E. Moore -- Cinéma brut and the new French extremists. "Typically French"? Mediating screened rape to British audiences / Martin Barker -- On watching and turning away: Ono's Rape, cinéma direct aesthetics and the genealogy of cinéma brut / Scott MacKenzie -- Uncanny horrors: male rape in Bruno Dumont's Twentynine palms / Lisa Coulthard -- Sexual trauma and jouissance in Baise-moi / Joanna Bourke -- Shame and the sisters: Catherine Breillat's À ma soeur! (Fat Girl) / Tanya Horeck.
505	0		_aHKBU library
518			_aYT2025 M08
650		0	_aRape in motion pictures. _9197059
650		0	_aIndependent films _xHistory and criticism. _9197060
700	1		_aRussell, Dominique, _d1965- _9197061
900			_a= C.1 SDU
942			_cGBE _2lcc
999			_c105106 _d105106