| 000 | 00929cam a2200205 a 4500 | ||
|---|---|---|---|
| 008 | 090804s2010 caua b 001 0 eng | ||
| 020 | _a9780520254565 | ||
| 020 | _a0520254562 | ||
| 040 | _aSDU | ||
| 050 | 0 | 0 |
_aPN1993 _bG377 V 2010 |
| 100 | 1 | _aGerow, Aaron Andrew. | |
| 245 | 1 | 0 |
_aVisions of Japanese modernity : _barticulations of cinema, nation, and spectatorship, 1895-1925 / _cAaron Gerow. |
| 260 |
_aBerkeley : _bUniversity of California Press, _c2010. |
||
| 300 |
_a323 p. : _bill. |
||
| 505 | 0 | _aThe motion pictures as a problem -- Gonda Yasunosuke and the promise of film study -- Studying the pure film -- The subject of the text: Benshi, authors, and industry -- Managing the internal -- Conclusion : mixture, hegemony, and resistance. | |
| 650 | 0 |
_aMotion pictures _zJapan _xHistory _y19th century. |
|
| 650 | 0 |
_aMotion pictures _zJapan _xHistory _y20th century. _9199489 |
|
| 900 | _a= C.1 SDU | ||
| 942 |
_cGBE _2lcc |
||
| 999 |
_c106609 _d106609 |
||