| 000 | 01705cam a2200253 a 4500 | ||
|---|---|---|---|
| 008 | 130108s2012 enk 001 0 eng d | ||
| 020 | _a9780230303706 | ||
| 020 | _a0230303706 | ||
| 020 | _a9781137005038 | ||
| 020 | _a1137005033 | ||
| 040 | _aSDU | ||
| 050 | 0 | 0 |
_aPN1995.9 _bF732 B 2012 |
| 100 | 1 |
_aForshaw, Barry. _9202358 |
|
| 245 | 1 | 0 |
_aBritish crime film : _bsubverting the social order / _cBarry Forshaw. |
| 260 |
_aHoundmills, Basingstoke, Hampshire [UK] ; _aNew York : _bPalgrave Macmillan, _c2012. |
||
| 300 | _a248 p. | ||
| 490 | 1 | _aCrime files series | |
| 505 | 0 | _aHKBU Library | |
| 520 | _a"A comprehensive social history of British crime film by the UK's principal expert on crime film and fictionPresenting a stunning social history of Britain through classic crime film, Barry Forshaw, one of the UK's leading experts on crime fiction and fiction, focuses on how crime films have portrayed our changing attitudes towards class, politics, sex, delinquency, violence and censorship. Focusing on these key issues, British Crime Film examines strategies used by film makers in order to address more radical notions of society's decline. Spanning post-war crime cinema, from Green for Danger to Get Carter, from The Lady Killers to Layer Cake, from The Long Good Friday to Lock, Stock and Two Smoking Barrels, British Crime Film contextualizes the movies and identifies important and neglected works which will delight and intrigue film fans of this well-loved genre."--Publisher's website. | ||
| 650 | 0 |
_aCrime films _zGreat Britain _xHistory and criticism. _9203168 |
|
| 650 | 0 |
_aMotion pictures _xSocial aspects _zGreat Britain. _9203169 |
|
| 900 | _a = C.1 SDU | ||
| 942 |
_cGBE _2lcc |
||
| 999 |
_c106743 _d106743 |
||