000			02029cam a2200205 a 4500
008			100520s2010 ctua b 001 0 eng
020			_a9780300165777
020			_a0300165773
040			_aSDU
050	0	0	_aPN56.M5 _bJ83 W 2010
100	1		_aJosipovici, Gabriel, _9204492
245	1	0	_aWhat ever happened to modernism? / _cGabriel Josipovici.
260			_aNew Haven [Conn.] : _bYale University Press, _c2010.
300			_a208 p. : _bill.
505	0		_aHKBU Library
520			_aThe quality of today's literary writing arouses the strongest opinions. For novelist and critic Gabriel Josipovici, the contemporary novel in English is profoundly disappointing--a poor relation of its groundbreaking Modernist forebears. This agile and passionate book asks why. Modernism, Josipovici suggests, is only superficially a reaction to industrialization of a revolution in diction and form; essentially, it is art arriving at a consciousness of its own limits and responsibilities. And its origins are to be sought not in 1850 or even 1800, but in the early 1500s, with the crisis of society and perception that also led to the rise of Protestantism. With sophistication and persuasiveness, Josipovici charts some of Modernism's key stages, from Dürer, Rabelais, and Cervantes to the present, bringing together a rich array of artists, musicians, and writers both familiar and unexpected--including Beckett, Borges, Friedrich, Cézanne, Stevens, Robbe-Grillet, Beethoven, and Wordsworth. He concludes with a stinging attack on the current literary scene in Britain and America, which raises questions not only about national taste, but about contemporary culture itself. Gabriel Josipovici has spent a lifetime writing and writing about other writers. This book is a strident call to arms and a tour de force of literary, artistic, and philosophical explication that will stimulate anyone interested in art in the twentieth century and today.
650		0	_aModernism (Literature)
900			_a = C.1 SDU
942			_cGBE _2lcc
999			_c107189 _d107189