000			01347cam a22002297i 4500
008			140226s2012 stka bq 001 0 eng d
020			_a9780748636129
020			_a9780748636112
040			_aSDU
050	0	0	_aPN1993.5 _bH112 I 2012
100	1		_aHaaland, Torunn. _9207186
245	1	0	_aItalian neorealist cinema / _cTorunn Haaland.
260			_aEdinburgh : _bEdinburgh University Press, _c2012
300			_a235 p. : _bill.
490	1		_aTraditions in world cinema
505	0		_aHKBU Library
520			_a"In this new study, Torunn Haaland argues that neorealism was a cultural moment based on individual optiques. She accounts for the tradition's coherence in terms of its moral commitment to creating critical viewing experiences around underrepresented realities and marginalised people. By examining both acclaimed masterpieces and lesser known works, parallels are drawn to realist theories and to past and present cinematic traditions. The ways in which successive generations of directors have readopted, negotiated and broken with the themes and aesthetics of neorealist film are discussed and evaluated, along with neorealist tendencies in other arts, such as literature."--Back cover.
650		0	_aMotion pictures _zItaly.
650		0	_aRealism in motion pictures. _9196566
900			_a = C.1 SDU
942			_cGBE _2lcc
999			_c108052 _d108052