| 000 | 01745cam a2200265 i 4500 | ||
|---|---|---|---|
| 008 | 140916s2015 ilua b 001 0 eng | ||
| 020 | _a9780809334070 | ||
| 020 | _a0809334070 | ||
| 020 | _a9780809334070 | ||
| 040 | _aSDU | ||
| 050 | 0 | 0 |
_aPN1998.3 _bM525 2015 |
| 245 | 0 | 0 |
_aMichael Moore and the rhetoric of documentary / _cEdited by Thomas W. Benson and Brian J. Snee. |
| 260 |
_aCarbondale : _bSouthern Illinois University Press, _c2015 |
||
| 300 |
_a232 p. : _bill. |
||
| 505 | 0 | _aMichael Moore and the rhetoric of documentary: art, argument, affect 1 / Thomas W. Benson and Brian J. Snee -- Laughing through our tears: rhetorical tensions in Roger & me / Jennifer L. Borda -- The big one that got away / Christine Harold -- The many moods of Michael Moore: aesthetics and affect in Bowling for Columbine / Brian L. Ott and Susan A. Sci -- The conversion of Lila Lipscomb in Fahrenheit 9/11 / Thomas Rosteck and Thomas S. Frentz -- The phenomenal text of Michael Moore's Sicko / Edward Schiappa, Daniel Ladislau Horvath, and Peter B. Gregg -- The ghosts of Michael Moore's future-Past: or, the many failures of Slacker uprising / Davis W. Houck and Joseph Delbert Davenport -- "I'm sorry to see it go": nostalgic rhetoric in Michael Moore's Capitalism: a love story / Kendall R. Phillips. | |
| 505 | 0 | _aHKBU library | |
| 518 | _aYT2025 M08 | ||
| 600 | 1 | 0 |
_aMoore, Michael, _d1954 April 23- _xCriticism and interpretation. _9208552 |
| 650 | 0 |
_aDocumentary films _xPolitical aspects _xHistory and criticism. _9208553 |
|
| 650 | 0 |
_aMotion pictures _xPolitical aspects _zUnited States. _9204310 |
|
| 700 | 1 |
_aBenson, Thomas W. _eeditor. _9208554 |
|
| 700 | 1 |
_aSnee, Brian J. _eeditor. _9208555 |
|
| 900 | _a= C.1 SDU | ||
| 942 |
_cGBE _2lcc |
||
| 999 |
_c108489 _d108489 |
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