| 000 | 01338cam a22002178a 4500 | ||
|---|---|---|---|
| 008 | 100302s2010 nyu b 001 0 eng | ||
| 020 | _a9781441103802 | ||
| 020 | _a1441103805 | ||
| 040 | _aSDU | ||
| 050 | 0 | 0 |
_aPN1997 _bC755 F 2010 |
| 100 | 1 |
_aConstandinides, Costas. _9211711 |
|
| 245 | 1 | 0 |
_aFrom film adaptation to post-celluloid adaptation : _brethinking the transition of popular narratives and characters across old and new media / _cCostas Constandinides. |
| 260 |
_aNew York : _bContinuum, _c2010. |
||
| 300 |
_a166 p. : _bill. |
||
| 505 | 0 | _aIntroduction -- Towards the intertextual dialogism approach -- Towards post-celluloid adaptation -- From the pre-diction of crime to the pre-vision of screenless media : Spielberg's adaptation of Philip K. Dick's The minority report -- Adapting the literature of the double : manifestations of cinematic forms in Fight club and Enduring love -- Bullet-time, blood spraying time, and the adaptation of the graphic novel -- From shadows to excess : new media Hollywood and the digitizing of gothic monsters in Van Helsing -- Puppet Kong vs. synthetic Kong : Peter Jackson's King Kong as post-celluloid adaptation -- Conclusion. | |
| 505 | 0 | _aHKBU library | |
| 518 | _aYT2020 M08 | ||
| 650 | 0 |
_aFilm adaptations _xHistory and criticism. |
|
| 900 | _a= C.1 SDU | ||
| 942 |
_cGBE _2lcc |
||
| 999 |
_c109702 _d109702 |
||