| 000 | 01820cam a2200277 a 4500 | ||
|---|---|---|---|
| 008 | 120523s2012 be ag b 000 0 eng d | ||
| 020 | _a9789058678454 | ||
| 020 | _a9058678458 | ||
| 040 | _aSDU | ||
| 050 | 0 | 0 |
_aML410 _bD756 2012 |
| 245 | 0 | 0 |
_aDramma Giocoso : _bfour contemporary perspectives on the Mozart/Da Ponte operas / _cJulian Rushton [and others]. |
| 260 |
_a[Leuven] : _bLeuven University Press, _c2012. |
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| 300 |
_a143 p. : _bill. |
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| 490 | 1 |
_aCollected writings of the Orpheus Institute ; _v10 |
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| 505 | 0 | _a'By their arias shall ye know them' : characterization in aria-based opera / Julian Rushton -- Don Ottavio and the history of the tenor voice / Stefan Rohringer -- Don Giovanni then and now : text and performance / Sergio Durante -- The Act IV finale of Le nozze di Figaro : dramatic and musical construction / James Webster. | |
| 505 | 0 | _aHKBU library | |
| 518 | _aYT2025 M09 | ||
| 520 | 8 | _aIn exploring the evergreen qualities of Don Giovanni and Le Nozze di Figaro, this collection of studies does not shun approaches that have foundations in established theory, but refracts them through such problems as the tension between operatic tradition and psychological realism, the co-existence of multiple yet equal plots, and the antagonism between the tenets of tradition and the need for self-actualization. In exploring such themes, the authors not only illuminate new aspects of Mozart's operatic compositions, but also probe the nature of musical analysis itself. | |
| 600 | 1 | 0 |
_aMozart, Wolfgang Amadeus, _d1756-1791 _xCriticism and interpretation. _9195785 |
| 600 | 1 | 0 |
_aDa Ponte, Lorenzo, _d1749-1838 _xCriticism and interpretation. _9214338 |
| 650 | 0 | _aOpera. | |
| 650 | 0 | _aMusical analysis. | |
| 700 | 1 |
_aRushton, Julian. _9214339 |
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| 900 | _a= C.1 SDU | ||
| 942 |
_cGBE _2lcc |
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| 999 |
_c110516 _d110516 |
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