000			01524cam a2200217 a 4500
008			110218s2010 ne b 001 0 eng d
020			_a9789089640796
020			_a9089640797
040			_aSDU
050	0	0	_aPN1993.5 _bO85 2010
245	0	0	_aOstrannenie : _bon "strangeness" and the moving image : the history, reception, and relevance of a concept / _cedited by Annie van den Oever.
260			_aAmsterdam : _bAmsterdam University Press, _c2010.
300			_a278 p.
490	1		_aThe key debates ; _v1
505			_aHKBU Library
520	8		_aSummary: Defamiliarisation or ostrannenie, the artistic technique of forcing the audience to see common things in an unfamiliar or strange way, in order to enhance perception of the familiar, ihas become one of the central concept of modern artistic practice, ranging over movements including Dada, postmodernism, epic theatre, and science fiction, as well as our response to arts. Coined by the Soviet literary critic Victor Shklovskii in 1917, ostrannenie has come to resonate deeply in film studies, where it entered into dialogue with the French philosopher Derrida's concept of differance, bordering on 'differing' and 'deferring'. Striking, provocative and incisive, the essays of the distinguished film scholars in this volume recall the range and depth of a concept that since 1917 changed the trajectory of theoretical inquiry.
650		0	_aMotion pictures _xHistory.
700	1		_aOever, Annie van den, _d1957-
900			_a = C.1 SDU
942			_cGBE _2lcc
999			_c110524 _d110524