| 000 | 01970cam a22002777a 4500 | ||
|---|---|---|---|
| 008 | 140606t20142014enk b 001 0 eng d | ||
| 020 | _a9780719090691 | ||
| 020 | _a0719090695 | ||
| 020 | _a9780719086953 | ||
| 020 | _a0719086957 | ||
| 040 | _aSDU | ||
| 050 | 0 | 0 |
_aPT9487.D4 _bP356 S 2014 |
| 100 | 1 |
_aPeacock, Steven, _9219429 |
|
| 245 | 1 | 0 |
_aSwedish crime fiction : _bnovel, film, television / _cSteven Peacock. |
| 260 |
_aManchester : _bManchester University Press, _c2014 |
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| 300 | _a218 pages ; | ||
| 500 | _aIncludes the author's interviews with various crime writers conducted at Yellowbird Productions, Stockholm, Sweden, Mar. 30, 2011. | ||
| 505 | 0 | _aHKBU Library | |
| 520 | 8 | _aSwedish crime fiction became an international phenomenon in the first decade of the twenty-first century, starting with novels but then percolating through Swedish-language television serials and films and on to English-language BBC productions and Hollywood remakes. This books looks at the rich history of "Nordic noir" examines the appeal of this particular genre and attempts to reveal why it is distinct from the plethora of other crime fictions. Examining the popularity of Steig Larsson's international success with his 'Millenium trilogy' as well as Henning Mankell's 'Wallander' across the various media, Peacock also tracks some lesser-known novels and television programmes. He illustrates how the bleakness of the country's "noirs" reflects particular events and cultural and political changes, with the clash of national characteristics becoming a key feature -- | |
| 650 | 0 |
_aDetective and mystery stories, Swedish _xHistory and criticism. _9219430 |
|
| 650 | 0 |
_aSwedish fiction _y21st century _xHistory and criticism. _9219431 |
|
| 650 | 0 |
_aDetective and mystery films _zSweden _xHistory and criticism. _9219432 |
|
| 650 | 0 |
_aDetective and mystery television programs _zSweden _xHistory and criticism. _9219433 |
|
| 900 | _a = C.1 SDU | ||
| 942 |
_cGBE _2lcc |
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| 999 |
_c112469 _d112469 |
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